Monthly Archives: December 2010

Job Posting: Patron Services Manager, Factory Theatre

FACTORY THEATRE SEEKS PATRON SERVICES MANAGER – Full-time starting January 2011

Factory Theatre seeks an enthusiastic and extroverted ticketing professional and Patron Services Manager who is up for the challenge of changing the face of Factory Theatre’s box office and patron services. This will be a full-time permanent position beginning in January 2011 (three-week vacation and benefit package included). This position requires a professional arts administrator with computerized ticketing experience in a subscription environment (preference to those with TIXHUB experience), who is dedicated to customer care and has a keen interest in the promotion and exhibition of Canadian theatre to Toronto audiences.

Reporting to the Managing Director and working collaboratively with a marketing and audience development team, the primary area of responsibility for this position is the overall operation and management of organization’s patron relations, focusing on management of TIXHUB box office system and client data, resulting in a welcoming, efficient and personable experience for our audiences.

Specifically, this position has the following objectives:

  • To build, develop and provide user-friendly ticketing and support services to Factory patrons
  • To improve patron services through dedicated attention to customer care, staff training,  streamlining ticket purchasing and passholder reservations and increased front-line efficiency of box office services.
  • Working with the marketing and audience development team to create a strategy to increase and retain Factory subscribers

Key areas of responsibilities:

Box Office Management:

  • Box office system control and maintenance (including building of show information and management of all patron data for in-person, phone and online sales)
  • Working with our ticketing company to improve and maintain efficient online services
  • Managing telephone, online and in-person ticket and passholder sales as well as processing donation & other revenue.
  • Daily, weekly and monthly box office reconciliations
  • Managing reports for various internal departments including development and education/outreach
  • Supervision, training and scheduling of p-t box office staff

Administrative:

  • Prepare and reconcile all box office bank deposits
  • Work with bookkeeper to manage all revenue accounts including box office revenue and cheque processing.
  • Work with partner theatre companies producing with Factory to establish pricing and data input for their performances.
  • Participation as a full team member of the Factory Theatre staff and the assumption of responsibility for special projects and committee work as required.

Strategic:

  • Assist in the strategic planning process to improve retention and acquisition of Factory theatre subscribers
  • Provide ongoing communications with Factory Theatre subscribers including renewals and ongoing service updates

The responsibilities listed above address the key duties of this position. Additional responsibilities of the candidate may be requested, however, they will however, not be unreasonably assigned.

Candidate profile

  • Experience in box office operations, management and ticket processing
  • Must love working with, greeting, hosting, and being with people of all ages – a certified ‘people person’.
  • Candidates must care about building relationships between Factory and various stakeholder communities
  • Has a strong knowledge of and passion for theatre and the performing arts.
  • High personal presentational standards with acute attention to financial detail
  • Ability to handle multiple tasks with accuracy and to meet deadlines in a timely manner.

This position will supervise and hire the Assistant Box Office Manager and other part-time box office staff. Hours will be shift-based with evenings and weekends depending on performance and staff schedules.

All applicants should send a cover letter and resume (stating salary expectations)  immediately to:

Sara Meurling, Managing Director
The Factory Theatre
125 Bathurst Street, TO ON M5V 2R2
or e-mail: Sara@factorytheatre.ca

Established in 1970 by current and founding Artistic Director Ken Gass, Factory Theatre was the first company in the nation to devote itself exclusively to producing Canadian plays. The astonishing success of the Factory has indelibly changed the face of theatre in this country, as indigenous plays are now produced coast to coast. Forty years later, the Factory continues to explore new play development models, while producing a full season of Canadian plays and maintaining a facility that also serves a host of independent artists and companies.  With support from all levels of government, numerous foundations and corporations as well as many generous individuals, Factory is truly a home for Canadian theatre and the Canadian playwright.

www.factorytheatre.ca

Auditions: Performers Sought, Faustwork Mask Theatre

Performer(s) sought for ongoing performances in the GTA & beyond of Little Big Frog and a new show currently in development. Please see the Faustwork Mask Theatre website: www.faustwork.com.

We seek performers who are:

  • Non-union
  • Bilingual French / English preferred
  • Young Audience, Physical Theatre, Dance, Mask Theatre, Puppetry and/or stage clown experience preferred.

Please send resume with cover letter to info@faustwork.com. Auditions to be held early in the new year.

Event: Winter Reading Series, The Vagabond Trust

The Vagabond Trust Winter Reading Series is strategically scheduled in that time between Christmas and New Years when no one has anything to do. The line up is one of our best yet. There will be music and hot toddies and great new work read by great writers.

The Vagabond Trust presents a winter evening of readings from authors:

  • Richard Greenblatt
  • Chris Dupuis
  • Hannah Moscovitch
  • Stephen Thomas
  • Jason Maghanoy

With music by electronic folk pop trio LOVEMAKER! Featured artist Tamara Bogolasky

See you there!
The Vagabond Trust Reading Series
Wednesday December 29, 2010, 8PM
The Ossington, 61 Ossington Avenue

Event: Duel of Ages-MIDNIGHT MASSACRE, Toronto Fringe

Wounds of the flesh, a surgeon’s skill may heal, But wounded honour is only cured with steel.

Join us for Duel of Ages: MIDNIGHT MASSACRE, an extra raucous midnight showing of the smash Fringe hit. The $25 ticket includes a pre-show party at 11pm in the heated McAuslan Beer Tent, free munchies, door prizes, a $10 charitable tax receipt, and the midnight performance of Duel of Ages, a play with six combat scenes depicting various ages in the history of dueling.

“Unlike anything you’re likely to see at this or any other Fringe…kicks major ass in the thrills department”, NNNN – Glenn Sumi, Now Magazine

25 Fighters + 9 Duels + 16 Bloody Deaths (and countless wounded) = 1 Killer Show.

All proceeds go to benefit the Toronto Fringe’s artist outreach programs.

Friday January 14, 2011
11pm to 1am
Factory Theatre

To purchase tickets for this rambunctious fundraiser call 416.966.1062 or visit the website www.fringetoronto.com.

Call for Submissions: Art in the Atrium, Artists’ Health Centre

Deadline 5pm, Thursday, January 13, 2011
Sponsored by the Artists’ Health Centre/Toronto Western Hospital and the Artists’ Health Centre Foundation

Professional artists of all disciplines are invited to submit proposals for Art in the Atrium, a monthly lunchtime performance series that takes place in the atrium of Toronto Western Hospital, 399 Bathurst St. (at Dundas) in Toronto.

Performances should be one hour in length and can include one or more artistic disciplines. Submissions could be anything from a jazz trio to dance to circus to spoken word – all art forms are welcome.

Prior to submitting, applicants are encouraged to visit the atrium at Toronto Western Hospital in order to use the space creatively in their proposals. Limited technical support is available.

The performances are free and open to the general public, staff, patients and visitors to the hospital.  Because of the nature of the venue and the diverse audience, mature themes and coarse language should be avoided.

Submission Guidelines:

  • Describe your performance piece, maximum 500 words.
  • Include a brief biography, maximum of 250 words, of the artist(s) involved and contact information for the key contact for the submission.
  • Submissions may be made by email (preferred) or hard copy. Hard copy submissions will not be returned unless accompanied by a self-addressed, postage-paid envelope.
  • Include all technical specifications and requirements.
  • Please include fee expectations.
  • Please include any other information or support material that the committee might find helpful in assessing your proposal (websites etc).
  • By submitting an application, you agree that if selected, your work may be reproduced/recorded for promotional and marketing efforts in advance of the exhibition and beyond for a period of up to five years by any of the sponsoring organizations.

Please send submissions to:

Art in the Atrium Submission Committee
The Artists’ Health Centre Foundation
250 The Esplanade, suite 500
Toronto, ON  M5A 1J2
info@ahcf.ca – subject line “Art in the Atrium” Submission

Volunteer: Volunteer Program Assistant, Canadian Opera Company

Canadian Opera Company, Education and Outreach-Volunteer Program Assistant

Education and Outreach at the COC is looking for high spirited, energetic and friendly individuals to provide program support for our March Break programming.

March Break at the COC: Two day-long workshops that draw inspiration from the themes and music of Mozart’s The Magic Flute. Participants invent their own operatic adventure and put on a workshop performance for family and friends at the end of the day. No musical or acting experience required.

Further information on March Break at the COC is available on the COC website at: http://www.coc.ca/ExploreAndLearn/ChildrenAndYouth/Children/MarchBreakattheCOC.aspx

This position is unpaid, but program assistants will receive an honorarium and two tickets to a dress rehearsal of a mainstage production from the 2010/2011 Season.

Responsibilities:

  • Attend a half-day orientation session
  • Available from 8:30 a.m. to 4:30 p.m. on March 17 and 18, 2011
  • Supervise a group of up to 30 children ages 7 to 12
  • Plan and lead warm up games
  • Lead children to creative sessions
  • Actively engage with children, and inspire creative fun and playmaking
  • Support lead artists (music, drama, design) in the day’s programming
  • Help children to prepare for a workshop showcase for family and friends
  • Offer your feedback about the program, and your experience to education staff

Program assistants will work under the supervision and tutelage of professional artisteducators.

The ideal candidate will have the following qualifications:

  • Over 15 years of age with some secondary or post secondary education
  • Demonstrates responsibility, reliability and experience working with large groups of young people
  • Excellent verbal and written communication skills in English
  • A music/arts background
  • First Aid Certificate an asset
  • Enthusiasm, initiative and a sense of humour

Please submit a cover letter and resume (with two references) to:
CANADIAN OPERA COMPANY
EDUCATION AND OUTREACH
227 FRONT ST. E
TORONTO, ON M5A 1E8
E-mail: education@coc.ca
Fax: 416-363-5584

Closing date: 4 p.m. on Monday, Jan. 10, 2011

Proposed start date: See program dates above

The COC thanks all applicants in advance. Candidates considered for an interview will be contacted. No phone calls please. Successful candidates will be notified if they have been accepted for an interview on Friday, Jan. 14, 2011. Interviews will be held the week of Jan. 17, 2011.

Call for Submissions: Fringe Research Chair, The Toronto Fringe

Designed to support research projects that advance the interests of independent artists, the Fringe Research Chair will manage a six month long investigation proposed by creators from across Ontario. The funding includes support for eligible research costs ($500 value) as well as a $1500 honorarium for the artist(s) involved.

Proposals should seek to explore major issues facing our community (e.g. audience growth, diversity, funding models) through the specific filter proposed by the applicant and must have a minimum of two public components as part of their process (workshops, open meetings, consultations, etc). This funding does not support the creation of new work, the development of a play or specific creative project, or the professional development of any artist, but rather will support an open investigation into “big ideas” that would shape the larger artistic community. On completion, findings will be published and distributed widely.

Interested parties should contact The Toronto Fringe at 416-966-1062 prior to applying.

Application check list:

  • a one page letter which details:
  • 1) what you want to investigate…
  • 2) why you want to investigate it…
  • 3) how you plan on investigating it…
  • a preliminary budget for research costs (the Fringe will cover up to $500)
  • CV/Resume/Bio of key researcher(s)
  • Phone number and email address of applicant(s)

Please send to employment@fringetoronto.com by 5:00pm on December 30th, 2010.

Auditions: NEW IDEAS FESTIVAL 2011, Alumnae Theatre Company

Female and Male Actors of all ages and ethnicities needed for the 23rd annual New Ideas Festival

Alumnae Theatre Company is currently booking auditions for non-union actors of all ages and ethnicities for our annual New Ideas Festival. (March 9 to 26, 2011)  The Festival is a three-week event of new writing, works-in-progress and experimental theatre, with a new program of plays each week, and a new staged reading each Saturday at noon.

Rehearsals start early February. It’s an excellent and exciting opportunity to work with a director, playwright and full cast in the beautiful, historical Studio Theatre at Alumnae Theatre, 70 Berkeley St., Toronto.

We need actors of all ages and a couple of the plays need actors with dance training (triple threats even better).  Please be sure to indicate this on resume and when applying for an audition.

GENERAL AUDITION DATES

Auditions will be held in the Studio Theatre (3rd floor) at Alumnae Theatre, 70 Berkeley Street in Toronto, on the following dates:

  • Monday, January 3        7pm- 10pm (Alumnae members only)
  • Tuesday, January 4        7pm – 10pm
  • Thursday, January 6     7pm – 10pm
  • Friday,   January 7         7pm – 10pm
  • Saturday, January 8     10am – 6pm

 

These are general auditions used to cast all 15 scripts.  Please indicate gender, playing age and, if applicable, that you are an actor who dances when you book your audition.  Callbacks with individual directors will be held the week of January 9-15

GUIDELINES:

  • You must not be a member of ACTRA or Equity. Alumnae Theatre is a non-union company and while we love our ACTRA and Equity brothers and sisters, we can’t afford to hire you.Please remember to bring your picture and resumé to the audition.
  • Prepare a contemporary monologue no longer than 2 minutes.
  • Be prepared to read from one side which we will post online after Dec. 27th on the New Ideas page of our website, alumnaetheatre.com.  Hard copies will also be in the Green Room during auditions. We recommend you arrive 30 minutes early to review sides if you have not chosen one from the website.

BOOKING AN AUDITION:

  • You may book an audition from Dec.10 to Dec.17, and from Dec. 27 to Jan. 2.
  • The deadline to book an audition is Monday Jan 2, 2011.
  • Please email ­­­­­­­­­­­­­­­­­­­­­­­­ nifauditions@alumnaetheatre.com or call 416-364-4170 (mailbox 2) to book your audition. Provide (and, by phone, spell) your name, phone number, e-mail, gender, playing age, and if applicable, that you have dance training.

A FEW FYIs:

  • Twelve short plays and three staged readings will be presented over three weeks.
  • They range in length from 10 to 40 minutes.
  • All directors and most writers will attend these general auditions. So be prepared to perform for a full house.
  • Audition sides, organized by character age and gender will be on the website at the end of December
  • Rehearsals typically start at the beginning of February.
  • In most cases rehearsals are during the evening and on weekends.
  • Alumnae Theatre is a non-union house. All work is unpaid — fun, but unpaid.

For further information about the festival please visit our website at www.alumnaetheatre.com

Job Posting: Communications Coordinator, Playwrights Guild of Canada

This position is funded by the City’s Investing In Neighbourhoods programme and potential applicants should review those criteria at, and apply through, this website:

Please register here:

http://www.brainhunter.com/frontoffice/enterSeekerHomeAction.do?sitecode=pl551

Playwrights Guild of Canada Communications Coordinator

Reporting to the Executive Director, the Communications Coordinator will be responsible for promoting Playwrights Guild of Canada’s programs, services and events to its members and the general public. They will be asked to maintain a communication database; assist with our two monthly e-newsletters; update our website, blog and associated postings; assist with press releases; and general office administration.

Qualifications:

Strong writing skills and computer efficiency with Microsoft Office, excellent telephone and communication skills, working knowledge of relevant social networking sites, the completion of a College or University program and a creative mind and an understanding of the theatre industry.

http://www.brainhunter.com/frontoffice/seekerViewJobDetailAction.do?sitecode=pl551&jobId=1430083&page=search

Job Posting: Membership Clerk, Theatre Ontario

This position is funded by the City’s Investing In Neighbourhoods programme and potential applicants should review those criteria at, and apply through, this website:

Please register here:

http://www.brainhunter.com/frontoffice/enterSeekerHomeAction.do?sitecode=pl551

Theatre Ontario Membership Clerk:

Maintain electronic data records of individual and group members; issue invoices for annual membership fees and maintain records of paid/outstanding invoices. Record donations and process payments and issue tax receipts. Provide clerical assistance to the Fundraising Coordinator (Contract position) for ongoing membership and donation/fundraising campaigns.

Qualifications:

Computer Literate (Microsoft Outlook, Word and Excel), articulate telephone, written and personal English communication. Experience in customer service position as well as an Art Service Organization, preferable. Knowledge of and experience within the Theatre community a benefit.

http://www.brainhunter.com/frontoffice/seekerViewJobDetailAction.do?sitecode=pl551&jobId=1418968&page=search