Monthly Archives: April 2012

Call for Submissions: Now Accepting applications for the 2013 Next Stage Theatre Festival, The Toronto Fringe

The 6th annual Next Stage Theatre Festival (NSTF) is now accepting applications from the best and
most dynamic independent theatre, dance and performance artists from across the Fringe community.
The festival was created to encourage artists who have participated in Canadian Association of Fringe
Festival (CAFF) member festivals to move beyond the summer production model and showcase their
work to a wider audience, including discerning artistic decision makers who could be interested in
programming their shows on main stages across the country. In five years, we have seen incredible
success – audiences have grown by more than 130% and more than a third of our productions have
gone on to other stages.
NSTF is interested in projects from emerging and established artists from any genre and style who are
developing new work and exploring new artistic avenues, and who are challenging traditional definitions
of theatre. Please note we are accepting applications this year for our Ante-Chamber series, performed
in the Factory Theatre bar space – these shows should be low-tech and appropriate for a bar venue.

Please review the following carefully:

A jury of industry experts evaluates applications as follows (rough % indicates how consideration is weighted):

  • The readiness of the project and its participants to take advantage of the professional opportunities offered by the festival. (45%)
  • The artistic content of the project and clarity of vision, though without consideration of the personal or aesthetic tastes of each individual juror (like at the Fringe, all forms and content are welcome). (40%)
  • The degree to which the piece expands, challenges or reconsiders its genre. (10%)
  • The developmental phase the piece is in at the time of application. (5%)

Eligibility:

  • All applicants must have participated in a CAFF festival (link: http://www.fringefestivals.com) though they are not required to apply with a prior Fringe production. Past participation must have been by one or more core creative or producing members on the project – playwright, directors, producers or key performers.
  • New works, reworked projects, original adaptations and site specific proposals and remounts are all eligible. Productions of work by notable playwrights or of “the classics” are not eligible. Please contact the Fringe administration (general@fringetoronto.com or 416-966-1062) if you are concerned about the eligibility of your piece.
  • Productions from the 2012 Fringe Festival are automatically eligible without an application. However, jurors will only be seeing productions that are critically or commercially successful. To guarantee consideration, 2012 productions must apply.
  • There is a $34 (HST included) reading fee for all applications. If this fee is a barrier to participation, please contact Fringe administration.

What companies receive if accepted:

  • 70% of the box office revenue (less any applicable taxes or service charges). Ticket prices range from $12-15 with some festival pass options.
  • 9 performances over the course of the festival, making productions Dora Award eligible for TAPA members
  • A venue (Factory Theatre Mainspace, Studio and Ante-Chamber) equipped with lighting and sound, a technician, a festival lighting plot and limited options for specials.
  • All front of house, box office and festival event publicity services.
  • Some financial assistance for rehearsal space and access to a professional lighting designer, as well as some assistance with TAPA membership fees and limited travel assistance for national or international artists.
  • Free participation – there is no fee for successful candidates.
  • Ante-Chamber productions receive a minimum of 8 performances, 75% of their box office, limited technical support, access to subsidized rehearsal space and a space coordinator.

What companies must provide if accepted:

  • All elements of the completed production including all sets, costumes, cast, production staff, etc.
  • A production with the same maximum running time as was selected in their application.
  • A production that can be set-up and struck in 15 minutes.
  • Accommodation for all company members if required (the Fringe will do its best to assist with billets for participants).
  • The necessary permissions/rights for their work and for their artists.
  • Occasional production meetings with Toronto Fringe staff (as a resource to you).
  • Poster and program content designs and art.
  • A stage manager.
  • Their own marketing and promotion, assisted by Next Stage staff.

Rules:

  • One application per company or individual. An individual may be involved in multiple applications though not as core creators (designers may be work on more than one project, playwrights may not).
  • Applications accepted into NSTF must produce the show they applied with and may not transfer or sell their spot under any condition.
  • Any reading fee returned as NSF can be resubmitted with a $25 administration fee. After two failed payment attempts, the application will be withdrawn from consideration.
  • If a company/individual is found to be in violation of any of The Festival’s policies the applicant may be removed from the application process or from participant status.

Application Requirements:

  • Completed digital application fee and $34 (HST incl.) reading fee submitted here
  • Section A – A complete script or detailed description for non-text based productions.
  • Section B – Artist Statement:
  1. What are the major themes and ideas you are exploring in this piece?
  2. Why this piece, now? What is your artistic vision for the piece? What do you want the audience to come away with? What do you want their experience to be?
  3. Why do you think NSTF is appropriate for this piece and you as an artist? What do you hope to achieve by being in the Festival? What is the trajectory for your production and your company?
  • Section C – Resumes, bios, or profiles of participating artists and key personnel (combined in one document).
  • Section D – A list of additional support materials / websites and links as available and relevant to your proposal. * Please do not submit these materials digitally – direct us to links or hosting sites where we can view them if needed. This includes files such as: press kits, reviews, photos, and videos. For musicals, please send a link to where we can access samples of your music.
  • In order to reduce the number of copies needed for the selection panel, we require that all application materials (A-D) be submitted digitally as an attachment. Do not put any application materials in the body of the email. Acceptable file formats acceptable are PDF, MS Word (Read- Only if possible) or a plain text file.
  • All digital application files must be submitted via email to applications@fringetoronto.com with your company name in the subject line by the application deadline. In the e-mail please include your primary contact and phone number.

The Application Deadline is Friday May 18th 2012, 5:00 PM
For more information please call 416-966-1062.

Event: Artist Work Studios for Sale at Artscape YOUNGplace, Artscape

New Open House Dates in May!

Only three studios left for purchase

Want to learn more about purchasing below-market price workspace at Artscape YOUNGplace? Professional artists and not-for-profit arts and community organizations are invited to join us at one of the following open houses.

  • Monday, May 7 from 11am to 12pm
  • Wednesday, May 9 from 5pm to 6pm
  • Monday, May 14 from 3pm to 4pm
  • Wednesday, May 16 from 4pm to 5pm
  • Wednesday, May 23 from 2pm to 3pm
  • Monday, May 28 from 3pm to 4pm
  • Wednesday, May 30 from 6pm to 7pm

For more information, click here>

Please register with Marisa Scarpino, Sales Manager, at marisa@torontoartscape.on.ca or 416-392-1038 x50 to confirm your attendance.

About Artscape YOUNGplace
Artscape YOUNGplace is a multidimensional facility designed to build capacity for creativity and innovation and bring people and ideas together under one roof. It will house a diverse mix of creators working in a variety of disciplines, as well as arts, community and social mission organizations.

Once complete, Artscape YOUNGplace will offer a contemporary art gallery, a theatre training facility, a centre for dance and performance, arts training for youth and adults, music education for amateurs and professionals, family resources to support the local community, openings, performances, exhibitions and events.

Featuring…

Fabulous Workspaces
Each classroom studio has soaring ceilings, abundant natural light and unique schoolroom finishes. Available studios range in size from 500-1000 sq. ft. and may be used for production, exhibition, education, programming and administrative purposes. Owners and tenants will have 24/7 access to the facility.

Artscape YOUNGplace will repurpose the existing historic Shaw Street School through a $12-million restoration project, bringing new life to the century-old heritage building. The finished facility will be fully accessible, have updated wiring, ventilation, plumbing, and new windows, all while retaining many unique Beaux-Arts school features.

A Creative Community
By clustering a diverse mix of creators and arts organizations, Artscape YOUNGplace will become an anchor for the arts community in the Parkdale and West Queen West neighbourhoods: already home to the highest concentration of creative and cultural workers in Toronto.

Over 90% of the studios at Artscape YOUNGplace have already been sold or leased to non-profit organizations and artists such as: Centre for Indigenous Theatre, College-Montrose Children’s Place, Inter-Galactic Arts Co-op, Koffler Centre of the Arts, Paperhouse Studio, Red Pepper Spectacle Arts, SKETCH, Small World Music Society, TYPOLOGY Projects, York Wilson Foundation, photographer Barbara Astman, pianist Eve Egoyan, painter Emily Filler, visual artist and theatre designer Gerard Gauci, visual artist Shabnam K. Ghazi, painter Sybil Goldstein, textile artist Miriam Grenville, visual artist Andrew Horne, painter Gillian Iles, photographer Vid Ingelevics, musician Elyssa Lefurgey-Smith, and visual artist Matthew Schofield.

For full tenant and owner profiles, click here>

Location, Location, Location.
Located at 180 Shaw Street, Artscape YOUNGplace lies in the heart of the West Queen West alternative arts district, just steps from Trinity-Bellwoods Park and the galleries and restaurants of the lively Ossington Avenue strip. This neighbourhood has the largest concentration of art galleries in Toronto and is home to cultural hubs like The Theatre Centre, Gladstone Hotel, Drake Hotel, and the Museum of Contemporary Canadian Art (MoCCA).

Below-Market Real Estate
Below-market rates at Artscape YOUNGplace are achieved through an innovative financing program that will allow the space to stay dedicated to the arts community forever.

Artscape will provide a 25% no-interest, payment-free second mortgage on each work studio, which will bring the purchase price below-market. With only 10% deposit required over 3 months, purchasers need no further financing until closing.

To view the sales package, click here>

“… being able to purchase a studio, owning a space to work in the heart of the city, will be invaluable to my artistic practice. It gives me a sense of security that renting a space never could – knowing that I have a permanent place to do what I love to do.”
— an Artscape YOUNGplace studio owner

www.ArtscapeYOUNGplace.ca

Audition: Avenue Q, The Lower Ossington Theatre

The Lower Ossington Theatre is casting two roles for their remount of their successful production of Avenue Q.

Auditions  will be held at the Lower Ossington Theatre on Thursday May 3rd and Saturday May 5th.
“Avenue Q” will run during the summer, opening June 22nd.

The roles to be cast are:

  • GARY COLEMAN
  • And MALE SWING (to cover all of the male roles including PRINCETON/ROD, NIKKI/BAD IDEA BEAR, TREKKIE MONSTER and BRIAN.)

Applicants are asked to submit their headshot and resume to auditions@lowerossingtontheatre.com. Those selected for an audition will be given several selections from the show to prepare.   There is a small honorarium associated with each of these roles.

Audition: Buddy, The Lower Ossington Theatre

The Lower Ossington Theatre is casting all roles for “Buddy-The Buddy Holly Story”
Auditions will be held at the Lower Ossington Theatre on Monday May 7th.  “Buddy- The Buddy Holly Story” erformance dates are to be confirmed for Fall 2012.

Applicants are asked to submit their headshot and resume to auditions@lowerossingtontheatre.com. Those selected for an audition will be asked to prepare two contrasting pop songs (no more than 32 bars) to be sung a capella.  These songs should be from the 1950′s-1960′s, or similar in style. It is not mandatory that audition material be from the Musical Theatre Genre.

If Applicants play any of the following instruments, please bring one to the audition, and be prepared to demonstrate your abilities.

  • Electric Guitar
  • Double Bass (electric will suffice for audition purposes)
  • Keyboard (will be provided)
  • Any brass or saxophone

All roles for this production are unpaid.

Job Posting: Assistant Box Office/Front of House Manager, Buddies in Bad Times Theatre

Assistant Box Office/Front of House Manager, Buddies in Bad Times Theatre
Position Type: full-time salary
Department: Box Office
Start Date: July 03, 2012

Introduction
Buddies in Bad Times Theatre, a not for profit, professional theatre company dedicated to the promotion of Queer Canadian Culture, is accepting applications for the entry level position of:

  • Assistant Box Office/Front of the House Manager.

We are looking for a highly motivated individual who wants to join the team at Buddies in Bad Times Theatre, Canada’s Home for Queer Culture. Reporting to the Box Office/Front of House Manager Manager, the Assistant Box Office/Front of House Manager will be responsible for managing box office staff, order processing and overseeing general box office operations at Buddies in Bad Times Theatre.

Major Responsibilities:

  • Promote high standards of customer service
  • Process ticket orders
  • Lead, train and supervise Ticket Agents
  • Inform and uphold Box Office policy in alignment with organizational standards
  • Manage and resolve medium level customer service concerns
  • Support the Box Office Manager in the preparation of reports and schedules, as required
  • Supervise day to day Box Office operations
  • Oversee and schedule the theatres volunteer program
  • Assists with financial reconciliations and cash management
  • Provide support and show specific information to all patrons in a timely and professional manner
  • Ability to deal with customers in a positive manner
  • Act as duty manager in the absence of the Box Office/Front of House Manager

Minimum Requirements

  • Equivalent work experience and appreciation for the Arts
  • Cash management experience required
  • Must be dependable, punctual, team player
  • Enthusiastic, ambitious and self-motivated
  • Excellent management and organizational skills
  • Excellent problem solving and troubleshooting skills
  • Excellent verbal communication and interpersonal skills
  • Will be required to work evenings, weekends and holidays
  • Adept with PCs with Windows OS and MS Word and MS Excel software
  • Is queer positive and is respectful of difference
  • Must be able to multitask and work in a fast paced, high stress environment

Please submit cover letter, resumé and the names and phone numbers of 2 references by 5pm on Friday June 1, 2012, EMAIL OR FAX to the attention of Barry Higgins, Box Office/Front of House Manager at 416-975-9293 or barry@buddiesinbadtimes.com.

We thank everyone who applies for their interest, but only candidates selected for an interview are contacted.  No telephone or walk-in inquiries please. All applications are considered confidential.  Buddies in Bad Times Theatre is an equal opportunity employer.

Workshop: 3 Shadow Workshops, Puppetmongers

SHADOWS FOR THEATRE, VISUAL & PUPPET ARTISTS
This workshop will take participants on a brief visit to the living traditions of shadow puppetry around the world, and introduce contemporary practice such as halogen lamps with modern technology.  It will be a hands-on day, focusing on the application of shadow imagery in theatre – as fabricated actors, as powerful images, and as kinetic set design.

MONDAY, MAY 7 from 10 AM TO 5 PM
At the Puppetmongers Studio, #219 – 401 Logan Avenue (at Dundas)

HALOGEN SHADOW TECHNOLOGY
This workshop explores the technical aspects of halogen shadow work.  This type of lamp, with its point source of light projects focused shadows with film-like effects.  Participants will assemble their own lamp, and experiment to discover some of the incredible effects possible.  We will also work with mechanical shadow-casting devises, gels and 3D objects.

Please note:  there is an additional $75 materials fee.  Each participant will build and keep one halogen lamp to continue their explorations.

MONDAY,  MAY 14 from 10 AM to 5 PM
At the Puppetmongers Studio, #219 – 401 Logan Avenue (at Dundas)

SAVE $75 BOOK #1 AND #2 TOGETHER for only $225 (plus materials)

SHADOWS FOR DANCE, MOVEMENT & PHYSICAL THEATRE   ARTISTS
Merge movement and shadow in an exploration of shadow imagery and environments in which to tell your story.  This workshop focuses on the interests of dancers, choreographers, movement and physical theatre practitioners to integrate what we know about shadow work with what you know about movement.  Facilitated by Yvonne Ng with Ann Powell & David Powell of Puppetmongers

 FRIDAY,  MAY 18 from 10 AM to 3 PM
At 305 Dovercourt Road, 2nd floor

Register for each workshop BEFORE May 1st for $120 – or $150 thereafter

Register on-line at http://puppetmongersschool.eventbrite.ca/

For more details please contact Puppetmongers at 416.469.3555 or info@puppetmongers.com

Ann and David Powell (aka Puppetmongers) are internationally recognized as leaders and innovators in the field of puppetry. Since 1974 they have developed a dozen new plays for both young and general audiences which have earned a combined total of 11 Dora Award nominations. They have been short-listed twice for the Chalmers New Canadian Play Award for Theatre for Young Audiences and received 5 Citations of Excellence from l’Union Internationale de la Marionnette (US). They have also received the Award for Artistic Excellence from Puppeteers of America for “contributions of a body of work to the art of puppetry”, as well as the President’s Award, a medal which has also been awarded to Jim Henson (Muppets), Julie Taymor (Lion King), as well as fellow Canadians puppeteers Ronnie Burkett and Coad Canada. The Toronto School of Puppetry was founded in 1996 to share their creation methodology and provide a collaborative learning space for the puppetry community as well as multi-disciplinary artists interested in expanding their creative arsenal.

Event: Fresh Herbs A Mini Festival of Works by Aspiring Young Theatre Creators, Tarragon Theatre

Fresh Herbs at Tarragon is the umbrella formation for all creative development programs for young people at Tarragon, including the Young Playwrights Unit (YPU), Spring Training Project (STP) and other opportunities and training for aspiring theatre-creators. Rehearsal Hall is a mini-festival by Fresh Herbs at Tarragon that invites audiences to experience the sum of this season’s creative explorations from May 25-27. All events take place at the Tarragon Near Studio, 30 Bridgman Avenue. Admission is pay-what-you-can. Reserve in advance with the Tarragon box office at 416-531-18267 or just show up the door.

Rehearsal Hall programming includes:

  • Presentations of five new 10-minute plays written by Tarragon’s Young Playwrights Unit and performed by members of its Spring Training Project for the fifth consecutive year. The plays are: Art of Work by Julian Lee; Home by Rebecca Tran; Impetuous by Calyx-Chip Passailaigue; Running, or Still Being There by Mohamad Abuali and Stuck by Tia Anderson-Hudson.
  • A professional staged reading of The Education of Jamie Stewart by Lyndsey Bourne of Vancouver BC, winner of the 2012 Under 20 for Under 20 Playwriting Competition, generously supported by the K.M. Hunter Charitable Foundation.
  • A public conversation with the teen performers of Concord Floral, a new piece by Jordan Tannahill (current member of the Tarragon Playwrights Unit and past winner of the Under 20 for Under 20 Playwriting Competition). This follows a formal presentation of Concord Floral at Canadian Stage’s Festival of Ideas and Creation on May 12. The cast of Concord Floral includes members of Tarragon’s STP. Tarragon’s Director of Education and Outreach, Erin Brubacher, is Dramaturge for the project.

More on Fresh Herbs at Tarragon:
For over 20 years, the Spring Training Project has been shaping artists and active members of the theatre community. Participants work with diverse professionals while collaborating with one another.  Members of this year’s STP group had the opportunity to work with artists Erin Brubacher, Ravi Jain, Kristina Nicoll, Ngozi Paul and Cara Spooner during a five-day intensive over the March Break. The 2011-2012 Young Playwrights Unit began meeting in October, under the guidance of professional playwright and dramaturg Paula Wing.

Fresh Herbs builds upon Tarragon’s company history of work with young people, exposing them to as much work and as many areas as possible to best support their curiosity and passion. And it is a two-way street as Tarragon artists continue to learn and gain new perspectives from the youth participants about what theatre can be.

These projects are made possible, in part, by the Youth Theatre Training Program of Theatre Ontario, funded by the Ontario Arts Council.

REHEARSAL HALL Schedule.
Friday May 25
8pm Open Dress Rehearsal for:
Art of Work by Julian Lee; Home by Rebecca Tran; Impetuous by Calyx-Chip Passailaigue; Running, or Still Being There by Mohamad Abuali; and Stuck by Tia Anderson-Hudson.

Saturday May 26
6pm Professional workshop reading of The Education of Jamie Stewart by Lyndsey Bourne, winner of the Under 20 for Under 20 Playwriting Competition.
8pm  Art of Work by Julian Lee; Home by Rebecca Tran; Impetuous by Calyx-Chip Passailaigue; Running, or Still Being There by Mohamad Abuali; and Stuck by Tia Anderson-Hudson.

Sunday May 27
2:30pm Art of Work by Julian Lee; Home by Rebecca Tran; Impetuous by Calyx-Chip Passailaigue; Running, or Still Being There by Mohamad Abuali; Stuck by Tia Anderson-Hudson; followed by a public conversation with performers and creators of Concord Floral by Jordan Tannahill – the play fuses the paintings of Toronto’s Kris Knight, Boccacio’s 14th century plague narrative The Decameron, and teen garage band DIYto create a raucous sound and image driven performance that asks what remains sacred for a new generation?

The festival concludes with an informal community gathering.

Workshop: WordPress for Beginners (aka Website in a Day), Avery Swartz

NEW DATE ADDED!
WordPress for Beginners (aka Website in a Day)
Saturday May 26,2012
10am – 4pm
Centre for Social Innovation
215 Spadina Avenue, Suite 400
Toronto, Ontario
$129.00 per person
delicious catered lunch included
REGISTER HERE

Learn how to build a website using WordPress – the popular blog and website publishing software. Whether you’re trying to set up a simple website for your small business, a personal blog, or perhaps you use WordPress at work and would like to learn more, this workshop is for you. From pages to posts, widgets to plugins, you’ll learn all about how to customize and maintain WordPress on your own website.

We will cover:

  • the difference between WordPress.com and hosting WordPress on your site
  • selecting and installing a WordPress theme
  • building webpages and your site’s menu bar
  • adding a blog to your website
  • plugins and widgets – how to customize WordPress
  • a few lines of code that are handy to know

Bring your laptop, your enthusiasm, and appetite (delicious catered lunch is included!), and by the end of the day, you’ll have built your own website from start to finish.

The workshop is limited to a small group, so there will be lots of time for questions and one-on-one support.
 
The not-so-fine print:
Workshop registration is non-refundable, however, your ticket is transferable to a friend or colleague if you can’t make the event at the last minute.
You must bring your own laptop and power cord – computers are not provided.
REGISTER HERE

Call for Submissions: The 2012 Festival of Ideas & Creation Artistic Ambassadors, Canadian Stage

The 2012 Festival of Ideas & Creation is fast approaching and Canadian Stage is looking for curious and energetic volunteers to be Festival ARTISTIC AMBASSADORS.

This year’s Festival focuses on Music in Performance. It features emerging and established artists alike, and runs at the Berkeley Street Theatre (26 Berkeley St.) from May 9th – May 12th, with a special offsite event on May 13th.

As an Artistic Ambassador, each volunteer will be paired with a presenting company and assist them in their rehearsals and performance as scheduled throughout the Festival.  Artistic Ambassadors will be responsible for liaising between Canadian Stage and the artists involved and providing the support necessary for a successful process.  Involvement with the company can range from working as an ASM, taking blocking notes, or even simply observing the process.

The Artistic Ambassador program is a fantastic way to meet accomplished artists, gain insight into new creative processes, and connect with some of the most exciting new works being created in Canada. It is also a unique opportunity to gain full access to this year’s Festival programming.

In thanks, volunteers will also be offered two tickets to Canadian Stage’s production of The Game of Love and Chance on a date of their choosing (on stage until May 12).

Please complete the attached application form, specifying which projects you would be interested in and available to work with.

Please email:
1) The completed application form
2) A paragraph that outlines your interest in the position and your past artistic, production and/or administrative experience (maximum 300 words)
to artisticintern@canadianstage.com no later than NOON on Tuesday, May 1, 2012. (Subject line:  FESTIVAL ARTISTIC AMBASSADOR).

For more information on ongoing emerging artists opportunities at Canadian Stage, check out our GYM Program.

We look forward to hearing from you. If you have any questions please call 416-367-8243 x 245.

Event: 2012 Harold Awards, The Harold Awards

18 and nearly legal!

Monday May 7, 2012
the el Mocambo 464 Spadina Avenue

Doors at 7:30, show at 8:00 sharp

Drinks! Deception! Don’t Miss Out!!!

Hosted by Caroline Gillis
Featuring Blair Irwin and John Hughes

Tickets only $10 at the door!!
(please bring a canned good for charity)

Since 1995 The Harold Awards have come to represent the independent and hard-working spirit of Toronto’s vibrant theatre community – a kind of rabble-rousing alternative to the Dora Awards.

To be Harolded is an honour of the highest subversive order. Awards are bestowed from one individual to the next in recognition of an outstanding and often under-recognized dedication on or off the stage. The Harold Awards lineage reads like a who’s-who of Toronto theatre, beginning with: Luther Hansraj, Kirsten Johnson, Sherrie Johnson, Jacoba Knaapen, Daniel MacIvor, Don McKellar, Darren O’Donnell, Alex Posh-Goldin, Nadia Ross, Lisa Ryder, Sarah Stanley, Deanne Taylor and the late and dearly missed Paul Bettis.

For more information visit www.haroldawards.com, find us on Facebook or follow us on Twitter