Daily Archives: April 16, 2012

Announcement: April TAPA Ticket Wiki Offers, TAPA

Are you an Arts/Industry Worker? Would you like discounted tickets to a variety of theatre, dance and opera productions? If so check out the TAPA Ticket Wiki! On the TAPA Tcket Wiki you will find a variety of discounted and complimentary tickets for Artists and Arts Workers to TAPA Member company productions for the 2011/12 season.

There are currently 6 offers posted to the TAPA Ticket Wiki for April including:

The TAPA Ticket Wiki is updated on an ongoing basis so make sure to check back often!

For more information about TAPA click Here

Announcement: Louise Naubert Recipient of the John Hirsch Director’s Award, Ontario Arts Council

The Ontario Arts Council (OAC) today announced that Toronto-based Louise Naubert is the recipient of the John Hirsch Director’s Award. The $5,000 award will be presented at 6 p.m. on Monday, April 23, 2012 at the Alliance Française de Toronto.

About the recipient:  

  • Award-winning director Louise Naubert is a leading Franco-Ontarian theatre director and actor known for her strong vision and unique approach which merges disciplines and transcends the boundaries of language.
  • Since 2007, Louise has directed plays, poetry and song productions as Artistic Director for Théâtre La Tangente in Toronto.
  • Throughout her career, she has performed in more than fifty productions, including several productions for the National Arts Centre’s (NAC) French Theatre in Ottawa, Montreal and Quebec city.
  • In the 2003-2004 and 2004-2005 seasons, she played the lead role in Chekhov’s Le moine noir, a co-production by the NAC’s French Theatre, Manège Mons / Centre dramatique (Belgium), Borderline Festival (Lille, France, Culture Capital of Europe, 2004) and Montreal`s UBU compagnie de création. The play was translated by André Markowicz and Françoise Morvan, and adapted and directed by Denis Marleau.
  • In 2000, her adaptation and direction of Patrice Desbien’s poetic story Les Cascadeurs de l’Amour earned Théâtre la Tangente the inaugural Masque de la production franco-canadienne, an honour bestowed by l’Académie québécoise du théâtre.
  • She recently adapted and directed Comment on dit ça, t’es mort, en anglais? from Claude Guilmain’s poetic story No Man’s land.
  • In May 2012, she will be in Berlin at the Schaubühne for two weeks in a residency offered by le Théâtre français du Centre national des Arts during the Theatertreffenfestival.

About the Award:

  • The John Hirsch Memorial Fund was established by a bequest to the Ontario Arts Council in 1989.
  • The John Hirsch Director’s Award honours Hirsh`s legacy as one of Canada’s most distinguished directors. The $5,000 award is presented every three years to a promising theatre director to further the recipient’s professional development.
  • John Hirsch was born in Hungary in 1930. He began producing puppet shows at age 16 in the refugee camps of war-torn Europe, and turned his passion for directing into a lifelong career.
  • In 1947, Hirsch immigrated to Canada where his directing and teaching career took him all over Canada and the United States, including a five-year tenure as Artistic Director at Stratford Shakespeare Festival. Read more about John Hirsch.
  • Click here for a list of past laureates of the John Hirsch Director`s Award.

 

The Ontario Arts Council (OAC) is the province of Ontario’s main funding body for professional arts activity. Since 1963, the OAC has played a vital role in promoting and assisting the development of the arts and artists for the enjoyment and benefit of Ontarians. In 2010-2011, the Ontario Arts Council funded 1,720 individual artists and 1,057 organizations in 223 communities across Ontario for a total of $52.3 million.

Workshop: Introduction to the Linklater Voice Method and Progression, Sirius Theatrical Company

Join Heather Dick (CAEA, ACTRA, VASTA) in this 6-week limited enrolment workshop that will introduce you to the first steps in the Voice Progression developed by Kristin Linklater.  This is a beginner level workshop.

Having the freedom and the technique to express the full range of your emotions through your voice is essential to connecting with your audience and to revealing the inner life of the characters you create.  Your voice can be an open window between yourself and your listener. When it is relaxed, free and resonant, and truly connected to your thoughts and feelings, you can develop a strong, positive bond with your partner or audience. When it is disconnected and tight, because of tension or blocks, you may push away and /or find it difficult, if not impossible, to create those bonds.

This Level I Workshop will introduce you to the work of Kristin Linklater and her “Freeing the Natural Voice” method. By following a progressive series of exercises, you will become aware of how tension can restrict or block your free vocal expression and discover ways to release the blocks so that you are able to speak with your own, unique and natural voice in a more open, effortless way. The work also connects your voice to ‘what’ you are saying beyond just the words. It is often less the words we say than ‘how’ we say them that emotionally and unconsciously affects a listener.

Heather Dick is an accomplished actor, director, artist educator and the Artistic Director of the Sirius Theatrical Company.  For over 25 years, she has coached and taught acting workshops for several Toronto studios, Ryerson Polytechnic University (Dance Program), the Theatre Ontario Summer Courses Program, and many community theatres as well as for the Sirius Theatrical Company.  She has trained in the Linklater Method under the legendary David Smukler and recently returned from the world renowned Shakespeare & Company (Lenox, Mass.) where she was a teacher trainee in voice during their Month-long Intensive (January 2012).

Thursdays:    7:30 – 10:00 p.m.
Dates:           April 26 – May 31, 2012
Cost:             $240

TO  REGISTER or for MORE INFORMATION:  info@siriustheatrical.com

Website:  www.siriustheatrical.com

Job Posting: Program Director/Executive Director, Diasporic Genius

Position: Program Director/Executive Director (please see Position Overview)
Position Location:
Toronto, Ontario
Start Date:
Immediately

About Diasporic Genius:Creating our Future from the Wisdom of the World

“The Diasporic Genius visionary program is the best idea I have heard for creative civic transformation.”

- Jehad Aliweiwi, Executive Director Thorncliffe Neighbourhood Office

The great thing about Diasporic Genius’ vision of development is that instead of beginning with a technocratic plan it beings with a narrative and a story.” – Ken Greenberg, Urban Planning Consultant

Diasporic Genius is a new, multi-faceted organization created to develop and implement a unique approach to creative civic change and urban development.  Working from the premise that we are at a turning point in Toronto’s history, DG is developing projects in three streams; Performance (multidisciplinary spectacles), Education (D-GAP apprenticeship program) and Community (21st Century Village Square development project).

From the germ of an idea, DG has grown in a little more than a year to be a young organization built on strong relationships and integrated partnerships, with Pilot Projects in each area of our focus. That makes this job exciting, challenging and highly rewarding for the right candidate. (For more information, please download our Executive Summary and visit our website.

Diasporic Genius’ is located in the iconic Urbanspace building at 401 Richmond Street West, and shares space with the Centre for City Ecology and a number of other city-building projects.

Position Overview:

This position offers a leadership role in the overall administration of Diasporic Genius, and may be met by candidates with different profiles: we recognize that we will succeed in our organizational goals with the hire of either a Program Director or Executive Director. The two positions are really points along a continuum of experience and readiness to lead. The Program Director (PD) is a smart, ambitious, younger leader with excellent training and real-world experience, who will work closely with and under the direction of CEO/Artistic Director. The Executive Director (ED) is a mid-career leader with extensive experience in a major organization who has mastered all aspects of organizational leadership and is ready for the excitement and challenge of growing a visionary start-up. The main difference between the Program and Executive Director job description will be a matter of degree in autonomy and responsibility.

Business Development:

  • Provide leadership and act as principal contact for the organization
  • Fundraising in all sectors
  • Marketing and communications materials development
  • Board development; strategic plan development
  • Proactively identify and establish partnerships

Office Management:

  • Recruit and manage staff including interns and volunteers
  • Budgeting and financials
  • Ordering office supplies and liaising with property management when necessary
  • Organize meetings and maintain calendar
  • Drafting and editing organizational grants to government funding bodies
  • Updating website and social media

Developing Community Pilot Project:

  • Develop and maintain relationships with key allies and partners in the Thorncliffe Pilot Project
  • Organize and oversee community events and festival under the CEO’s supervision
  • Develop organization’s role in local Toronto community events

Developing D-GAP Apprenticeship Program:

  • Develop current relationships with schools, colleges interested in our training program
  • Selecting apprenticeship candidates and tracking their progress

Essential Qualifications:

  • Bachelor’s degree is Business Administration, Urban Planning, or equivalent experience
  • Program Director: minimum 3-5 years in a leadership position
  • Executive Director: minimum 10 years in a leadership position with extensive managerial and business development experience
  • Ability to recruit and manage a team of volunteers and interns
  • Extensive knowledge and familiarity of the not-for-profit sector
  • Demonstrated project management skills
  • Experience creating and managing budgets
  • Ability to cultivate and maintain relationships with key stakeholders
  • Experience managing competing priorities in a fast-paced, high-pressure environment
  • Excellent attention to detail and deadline orientation
  • Excellent analytical and problem solving skills
  • An entrepreneurial spirit
  • A true passion for the mission and purpose of the organization
  • Excellent verbal and written communication skills

Desired Qualifications:

  • Ability as a strategic thinker a major asset
  • Experience with start-ups
  • A knowledge, experience and network in the areas of Community Arts or Urban Development
  • Experience with a wide range of tasks, including:
  • web-based, social media and printed communications and communication strategies
  • Photoshop and general design
  • bookkeeping and accounting principles
  • familiarity with Mac platforms and social media platforms
  • strategic planning, budgeting and creating financial statements
  • individual, corporate and public fundraising

To Apply, Please Submit a Cover Letter and Resume to:

opportunities@diasporicgenius.com
Deadline: May 4, 2012
*candidates are encouraged to apply early as interviews will be scheduled when applications received

In the subject line, please state the position to which you are applying.

Diasporic Genius thanks all applicants for their interest in the position, however, only those selected for an interview will be contacted.

Announcement: Adam Paolozza Awarded Tarragon Urjo Kareda Residency Grant, Tarragon Theatre

Tarragon Theatre is pleased to announce that the Urjo Kareda Residency Grant, has been awarded to playwright, actor and director Adam Paolozza. The grant, valued at $15,000, is made possible by a donation from The Youssef-Warren Foundation for an emerging professional theatre artist who has demonstrated a strong interest in and potential for working in theatre.

Beginning in August 2012, Adam will spend twenty weeks at Tarragon apprenticing in direction and artistic direction with Tarragon Artistic Director Richard Rose while further developing his own practice as a theatre-maker, in part as a member of the Tarragon Playwrights Unit.

Upon accepting the residency, Adam offered the following remarks: “The Urjo Residency has come at a fortuitous time in my artistic journey. An artist is like a sponge, absorbing influences, ideas and energy from their surroundings. I can’t wait to soak up all I can at Tarragon. I’m honoured to be able to develop my work in such a rich, stimulating, supportive environment with Richard and the team at this point in my career.”

Adam is an award winning Toronto-based theatre artist and co-founder of TheatreRUN. His recent works include co-writing, directing and performing in TheatreRUN’s The Double, a musical mime-based adaptation of Dostoevsky’s novella with Protest The Hero double bassist Arif Mirabdolbaghi; and developing The Pasolini Project, a new adaptation of Pasolini’s tragedy Pylade, with Coleen MacPherson, as well as projects in French including Artaud: un portrait en décomposition in co-production with Théâtre Français de Toronto. He is also a regular collaborator with Theatre Smith-Gilmour, co-creator with Why Not Theatre of SPENT (for which he won a Dora Mavor Moore Award for Outstanding Performance in a Featured Role with Ravi Jain) and creator of Chekhov’s Heartache, Katherine Mansfield and Lu Xun Blossoms, which Theatre Smith-Gilmour co-produced with the Shanghai Dramatic Arts Centre, toured across China and presented as part of the Luminato Festival.

Adam is a graduate of Ryerson Theatre School and École International de Théâtre Jacques Lecoq in Paris where he also studied mime with the Decroux company Intrepido.

Tarragon Theatre congratulates Adam Paolozza on the Urjo Kareda Residency Grant and acknowledges the generosity of The Youssef-Warren Foundation which made this residency possible.