Daily Archives: June 4, 2012

Event: Factory Wired A Festival of New Works, Factory Theatre

Dramaturged by Iris Turcott
Produced by André du Toit
Factoy Theatre

Saturday June 9th 8PM

6 Essential Questions by Priscila Uppal
Visiting the ancestral homeland is not the great ethnic experience promised by other memoirs!

Monday June 11th 8PM

Not Necessarily by André du Toit
Everything is up for grabs when the co-owners of Bee’s Knees put their friendship on the line.

Saturday June 16th 8PM, Sunday June 17th 2PM

Beatrice & Virgil by Yann Martel, Adapted by Lindsay Cochrane
Horrific truths, buried in layers of history, are beautifully unearthed through fact, art and imagination.

Monday June 18th 8PM

Lake (working title) by Jordan Tannahill
An articulately dysfunctional family is on the verge of collapse and when the familial fault lines split open, no one is spared.

Friday June 22nd 8PM

Stopheart by Amy Lee Lavoie
Growing up in a small town is hard. Growing in a small town in Northern Ontario, Canada called “South Porcupine” is even harder.

Saturday June 23rd 8PM

Pig Girl by Colleen Murphy
A cop, a farmer from B.C., two sisters. One is missing.

All readings are in the Factory Studio Theatre at 125 Bathurst Street and are FREE (but donations are welcomed).

Seating is limited, so come early – the bar opens an hour before.

Plug into the playwrights’ imagination this June!

Job Posting: Audience Services and Ticketing Administrator, Young People’s Theatre

Young People’s Theatre (YPT), now in it’s 46th season, is Canada’s largest theatre for young audiences and currently produces and presents an 8-play season with an audience of up to 80,000+. Housed at a
renovated, historical venue in Toronto, YPT works on a 468-seat Mainstage and a 115-seat Studio stage. Its operating budget is approximately $3.5 million. The work culture at YPT encourages ingenuity, team-work, and an atmosphere of learning. YPT’s artistic policy focuses on arts and education – in fact, learning is at the centre of everything we do.

YPT is currently searching for a candidate to fill the position of Audience Services & Ticketing Administrator. Reporting to the Sales Manager, this full-time, permanent position will coordinate the
ticketing and audience operational needs of the organization overall with primary focus on meeting the
requirements of Box Office and Drama School.

Key Responsibilities:

  • Train, schedule, and oversee the day-to-day activities of Sales Associates/Box Office staff.
  • Manage the Box Office ticketing system (AudienceView), including building theatre events, building drama school events, creating and managing show holds, promotion discount codes, program bundles, and general database management.
  • Prepare daily, weekly, monthly and annual reports for various departments.
  • Liaise with AudienceView, including overseeing software and data conversions and troubleshooting with respect to systems issues.
  • Generate database mailing lists for various departments.
  • In concert with the marketing/sales department, manage all YPT social media sites.
  • Address any audience concerns that may arise.
  • Provide administrative support to the Development team, including configuration of events, campaigns and funds within the AudienceView system.
  • Oversee Sales Associate/Box Office staffing budget.
  • Determine, implement and maintain box office policies and procedures in tandem with the Sales Manager.
  • Participate in weekly marketing meetings and the execution of marketing initiatives as they relate to public and school audiences.

Required Skills:

  • Minimum of 2 years of ticketing/box office supervisory experience.
  • Excellent communication, analytical, interpersonal skills plus strong computer skills with attention to detail.
  • Experience with Social Media within an organizational/company context.
  • Experience with ticketing (AudienceView preferably), word-processing and spreadsheet programs.
  • Proven track record in customer service and a sincere desire to be helpful.
  • An interest in the arts is a definite asset.

Young People’s Theatre is proud to be an equal-opportunity employer and strongly supports and values
diversity in the workplace. Applications from all qualified candidates are welcome and individuals from equity seeking groups are encouraged to apply. Interested parties should apply with cover letter and resumé, detailing all relevant experience to:

Audience Services & Ticketing Administrator Search
YPT
165 Front Street East
Toronto, ON M5A 3Z4

or search@youngpeoplestheatre.ca

Applications must be received by 5:00 p.m. on Friday, June 15th, 2012.

While we thank everyone who applies, only those selected for an interview will be contacted

Announcement: Three Extraordinary Audio Described Art Installations for Blind and Low Vision Patrons, Luminato Festival

The Visual Arts Program of this year’s Luminato Festival, June 8th –17th, 2012, includes three extraordinary installations equipped with recorded audio descriptions created by Theatre Local and Picasso PRO for blind and low vision patrons.

Audio description, the art of talking pictorially, acts as a verbal lens making exhibits, theatre, film and other art events more accessible to patrons who are blind or partially sighted. Patrons use audio devices to hear trained describers talk about visual aspects that are vital to experiencing the works in their totality. Luminato’s recorded descriptions will be available through luminato.com on the Accessibility page under Visitor Info and Luminato’s mobile app on June 4. Directions to the exhibit sites and background on the works can be found on luminato.com. TELUS, Luminato’s Innovation Partner, is Presenting Partner of the Audio Description, mobile application and offers engagement through technology across the Festival.

The Encampment by artists Thom Sokoloski and Jenny-Anne McCowan, June 8th -24th, at Fort York National Historic Site and co-commissioned with the City of Toronto, is a large scale installation comprised of 200 A-frame tents pitched on the grounds of Fort York. Conceived as a temporal village, each tent will contain an installation by one of 100 creative collaborators to represent an intimate aspect of the War of 1812’s civilian history. In this way the site becomes a metaphorical archeological dig, unearthing long-buried shards of human experience. The audio description will provide a description of the site’s pathways and features, plus a small sampling of tent installations.

Revered street artist Dan Bergeron explores themes of location, transformation, public space and its reclamation by those whom it excludes and ignores. ///RE-PLY\\\, June 8th -17th, is the artist’s latest response to these issues through a series of temporary site-specific sculptural installations situated along Parliament Street between St. Jamestown (Wellesley) and Regent Park (Dundas).  Both abstract and concrete, the pieces will reference the overabundance of condo development throughout the city with a sly and playful eye.

S/N the third installation, located at Toronto Pearson Airport’s Terminal One, June 8-30th and created by Belgian artists LAb[au], is constructed from a large assortment of discarded technology and salvaged split-flaps; components from information displays that pre-date LED monitors in public spaces like airports and train stations. Arranged in a circular grid that allows visitors to stand in the centre, the flaps randomly rotate until the system identifies words which create auto-poetic sequences, inviting viewers to interpret their meaning.

Luminato’s new Festival website, luminato.com, has been redesigned with accessibility in mind, and underwent an Accessibility Review by the Inclusive Design Research Centre at OCAD University. The Festival’s mobile app can be made accessible through settings on a user’s mobile phone, and is now available for download. Toronto based arts pioneer, Theatre Local teams up once again with Picasso PRO, a collective dedicated to bridging disability and the performance /media arts to create and provide the audio description. In 2011 they first partnered with Luminato on the pilot description of Sargasso, a large-scale suspended sculpture by Philip Beesley at Allen Lambert Galleria in Brookfield Place. Audio description is one of Luminato’s latest commitments to making the Festival accessible, inclusive and inviting to all audiences.

Theatre Local is a leading arts innovator in Canada and challenges the norm to make spaces better for people. With 20 years of experience, project leader Rebecca Singh looks for and creates viable initiatives to influence and shape cultural dialogue that impacts Toronto and all its citizens. Rebecca was the Luminato Festival fellow in 2010-11 and was the driving force behind in establishing the Audio Description Pilot Program in 2011, with the landmark audio description of Philip Beesley’s Sargasso.

Picasso PRO was formed to facilitate genuine opportunity and integration for artists with disabilities and Deaf artists in the performing and media arts. It springs from the passionate conviction that artists with disabilities and Deaf artists belong on Canada’s stages and screens, among our audiences, professional staffs, teachers and cultural leaders. They partner with individual artists and companies to create innovative, accessible work in all facets of live performance and media creation. Audience access for patrons who are Deaf and live with disabilities is a key aspect of Picasso PRO’s work.

Luminato is Toronto’s fifth season when the festival stages the best of our city and invites the world to celebrate and transform it with us. Luminato is an annual multi-disciplinary celebration of theatre, dance, music, literature, food, visual arts, film, magic, and more. The sixth edition of Luminato takes place from June 8–17, 2012.

Event: The Eighth Annual Cooking Fire Theatre Festival, Cooking Fire Theatre Festival

June 20–24, 2012

We are pleased to announce the triumphant return of The Cooking Fire Theatre Festival, a week-long performance extravaganza celebrating theatre, food, and public space in Toronto’s Dufferin Grove Park. Each evening throughout June 20–24, acclaimed theatre companies will present original work that promises to delight, entice, and inspire, ranging from an absurdist take on Toronto’s housing market to a visit to a strange and wondrous clock shop. Delicious organic meals are served to the audience from the park’s wood-fired outdoor bake ovens. Building on the success of the last seven years, this year’s festival will offer the experience of enchanting, challenging theatre and wonderful food at the beginning of summer.

Featuring:

TheatreRUN, Theatre Smith-Gilmour, Why Not Theatre: Spent
Spent is an absurd physical comedy about two executives who fall off the corporate ladder. Internationally celebrated, this brilliant show about the 2008 economic meltdown returns in a short version specially created for the festival.

Edge of the Woods TheatreHouppz Théàtre: SplasH20 Distilled
A spectacle of all things wet and watery! After touring the world, SplasH20 makes a joyful return to Toronto with a condensed version of the acclaimed show. It explores the many facets of water in our lives, both its poetry and its folly, using clown, slapstick, cabaret, and more. Dive into the unexpected!

French Connection: Period of Tranzish
A young, newly married clown couple just bought their first brand new home! Their love is big but their house is small . . . An exciting new collaboration between Lisa Marie DiLiberto, Adam Paolozza, and Dan Watson, Period of Tranzish is a slap-stick take on love and marriage in close quarters.

SNAP Productions: Grannie Didn’t Go to Florida
It’s vacation time, and Bailey is driving the whole family to Florida. But Grannie has other ideas and she knows how to get her way — until she gets everyone lost. Then the man who comes to save them decides he’d better not. A darkly comic new play by Richard Sanger (inspired by Flannery O’Connor), featuring a Buick, banjo music, and Tanja Jacobs as the grandmother from hell.

Échantillon no. 23: Power Punch®
Quietly mucking about in his laboratory, Bensikov concocts a powerful potion that relieves the sufferings of Ivana, his elderly mother. In no time, news of the scientist’s invention gets to the enterprising Mr. President, who jumps at the chance to get his hands on the mystery medicine. A puppet show about the best intentions.

Hare Theatre: Mr. F’s Clock Shop
After his previous exploits in Dufferin Grove Park, Fellini returns. And this time he has bought a shop. A clock shop. He has secrets. And boxes to keep them in. And lots of clocks. A solo show about running out of time.

Dinner served from 6:00pm
Performances begin at 7:00pm
June 20–24, 2012
Dufferin Grove Park (just south of Dufferin and Bloor)
Pay-what-you-can admission ($10 suggested donation)

www.cookingfire.ca
Info: 416-655-4841
cookingfire@gmail.com

Internship: Artistic Internships, Theatre Gargantua

Theatre Gargantua is seeking TWO interns who are serious and committed to pursuing a career in the performing arts.  Our internship program is designed to provide an opportunity for emerging artists to expand their skills and experience through observing and participating in Theatre Gargantua’s creation cycle.  Specifically, participants will attend all rehearsal and creative meetings while simultaneously assisting in areas of production (e.g. set, lighting, costumes, stage management, director assistance) and administration (e.g. publicity, marketing and promotion).  Through this program, interns will develop new skills that will be useful in future artistic and producing endeavours.

The internship will begin in the summer and continue through performances of the first installment of our latest cycle of work at the Factory Theatre in the fall 2012.  There will be a very light time commitment in the summer with the bulk of the rehearsals for our 10th cycle of work taking place in the fall.

Successful applicants will have a background in theatre and an interest in multi-disciplinary work and/or the collaborative creation process. Applicants should be prepared to make a commitment to the full length of the project, including attendance at all rehearsals and performances in the fall and for all creative meetings.    Interns will receive an honorarium for their participation.

Applications can be made by sending a resume and a cover letter detailing the applicant’s interest in the program and the company as it relates to their future career aspirations.
The deadline to submit applications is June 14th, 2012.

Please send to jacquie@theatregargantua.ca citing “Artistic Internship” in the subject line or by fax at 416.588.3793. (Please no phone calls.)

Theatre Gargantua is an equal opportunity employer who encourages applications from candidates with disabilities, Aboriginal candidates, and candidates who are members of a visible minority.
This year the company celebrates our 20th anniversary.  Come join our team.  For more information on the company please visit www.theatregargantua.ca

Theatre Gargantua’s mentorship programme is generously sponsored by TD Bank Financial Group